Synopsis

BIRTHMAN is a 71-minute dialogue-free feature documentary following Wolf, a man approaching fifty, through seven rituals unfolding over three days.

There is no explanation. No one tells us why Wolf has come, what the rituals mean, or what is being asked of him. We enter with him — into a world of bodies, nature, objects and actions whose meaning remains hidden.

For three days, the camera observes without interpreting.

A year of meticulous preparation preceded the filming. Every frame was storyboarded, yet nothing that happened inside those frames was rehearsed. Each ritual unfolded in a single continuous take. Nothing was repeated. Nothing was reconstructed.

Everything happened only once.

Only at the end does Wolf reveal why he came. In that moment, the images and actions that preceded it acquire a new meaning.

BIRTHMAN leaves the viewer not with an explanation, but with the experience of having witnessed something that could happen only once.

Written, Directed & Produced by Itay Ganot

Director’s Note

For many years, my work has been to create and facilitate rituals in which people enter profound processes of change. Hundreds of people have passed through these spaces, and again and again I was asked: Why isn’t this being documented? Why can’t others witness what happens here?

BIRTHMAN was born from that question — but also from something more urgent.

I wanted to make a film about the human capacity to begin again.

We live in a time when it is easy to believe that we are defined by what has happened to us. That our past has already written the limits of our future. I wanted to place another possibility on the screen.

I wanted to witness a human being coming from a place of profound darkness and attempting, with extraordinary courage and imagination, to create a different relationship with life.

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Not through a fictional story.

Not through someone explaining what change looks like.

But by allowing us to be there when something real was taking place.

For a year, I prepared three days of filming in meticulous detail. Every frame was storyboarded, yet nothing that happened inside those frames was rehearsed. Nothing was repeated. Nothing was reconstructed for the camera.

We constructed the frame. What happened inside it belonged to life.

Perhaps we have become too accustomed to watching human experience being represented. I wanted, for seventy-one minutes, to let us witness it.

The film asks for no shared language, belief or ideology. It does not ask the viewer to belong to anything. It asks only that we witness another human being.

For me, BIRTHMAN is an affirmation of the resources we still possess as human beings: the body, imagination, courage, creativity, and our capacity to stand beside one another when someone is trying to cross an impossible distance.

And beneath everything, there was one reason to make this film:

I wanted someone sitting in the dark — someone who believes that what happened to them has already decided the rest of their life — to leave with the possibility that another life can still be created.

That, for me, is the reason BIRTHMAN exists.

Itay GanotWriter, Director & Producer

Cast

Wolfgang Vogler
as Birthman
The Choir
Christoph Ahrendt, Lizet Beekmans, Anika Antonia Bieg, Sabine Broeckx, Martin Büttner (Satyarthi), Oliver Dawson, Monica De Loght, Toon Manders, Mattan Oren, Nele Salaets, Dara Shaa, Tsuk Shimon, Markus Strietzel, Leen Van Damme, Veronique Van den Bossche, Zoë Van den Troost, Esther van Nieuwenhoven, Carl Verheyen, Hilde Vets
Itay Ganot
as The Guide

Key Crew

Written & Directed by
Itay Ganot
Director of Photography
Guy Raz
Edited by
Aannat Lachovitzová
Original Music by
Avi Belleli
Sound Design & Mix
Philippe Gozlan
Post-Production Supervisor
Ariel Moatti
Colour Grading
Jorge Piquer Rodríguez
Co-Producer
Zoë Van den Troost
Produced by
Itay Ganot

Contact

Itay Ganot

itayganot@gmail.com